Image:NASAシャトル時代のエンジンで再び月へ！NASAは、アポロ計画以来となる月への有人飛行に向けて、完全使い切り型のロケットの打ち上げ準備を現在進めています。今回のロケットには、過去のNASAのミッションで使用された3基のロケットエンジンが使われているということです。NASAは1月17日に組み上げが完了したロケット、スペース・ローンチ・システム「SLS」をケネディ宇宙センターの発射台へ移

Scientific American's Elizabeth Anne Brown recently "polled the great art houses of Europe" about whether they'd had any recent experiences with mold in their collections. Despite the stigma that keeps many institutions silent, she found that extremophile "xerophilic" molds are quietly spreading through museums and archives, thriving in low-humidity, tightly sealed storage and damaging everything from textiles and wood to manuscripts and stone. An anonymous Slashdot reader shares an excerpt from the article: Mold is a perennial scourge in museums that can disfigure and destroy art and artifacts. [...] Consequently, mold is spoken of in whispers in the museum world. Curators fear that even rumors of an infestation can hurt their institution's funding and blacklist them from traveling exhibitions. When an infestation does occur, it's generally kept secret. The contract conservation teams that museums hire to remediate invasive mold often must vow confidentiality before they're even allowed to see the damage. But a handful of researchers, from in-house conservators to university mycologists, are beginning to compare notes about the fungal infestations they've tackled in museum storage depots, monastery archives, crypts and cathedrals. A disquieting revelation has emerged from these discussions: there's a class of molds that flourish in low humidity, long believed to be a sanctuary from decay. By trying so hard to protect artifacts, we've accidentally created the "perfect conditions for [these molds] to grow," says Flavia Pinzari, a mycologist at the Council of National Research of Italy. "All the rules for conservation never considered these species." These molds -- called xerophiles -- can survive in dry, hostile environments such as volcano calderas and scorching deserts, and to the chagrin of curators across the world, they seem to have developed a taste for cultural heritage. They devour the organic material that abounds in museums -- from fabric canvases and wood furniture to tapestries. They can also eke out a living on marble statues and stained-glass windows by eating micronutrients in the dust that accumulates on their surfaces. And global warming seems to be helping them spread. Most frustrating for curators, these xerophilic molds are undetectable by conventional means. But now, armed with new methods, several research teams are solving art history cold cases and explaining mysterious new infestations... The xerophiles' body count is rising: bruiselike stains on Leonardo da Vinci's most famous self-portrait, housed in Turin. Brown blotches on the walls of King Tut's burial chamber in Luxor. Pockmarks on the face of a saint in an 11th-century fresco in Kyiv. It's not enough to find and identify the mold. Investigators are racing to determine the limits of xerophilic life and figure out which pieces of our cultural heritage are at the highest risk of infestation before the ravenous microbes set in.

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Early hominins in Europe were creating tools from raw materials hundreds of thousands of years before Homo sapiens arrived there, two new studies indicate, pushing back the established time for such activity. From a report: The evidence includes a 500,000-year-old hammer made of elephant or mammoth bone, excavated in southern England, and 430,000-year-old wooden tools found in southern Greece -- the earliest wooden tools on record. The findings suggest that early humans possessed sophisticated technological skills, the researchers said. Katerina Harvati, a paleoanthropologist at the University of Tubingen in Germany and a lead author of the wooden-tool paper, which was published on Monday in the journal PNAS, said the discoveries provided insight into the prehistoric origins of human intelligence. Silvia Bello, a paleoanthropologist at London's Natural History Museum and an author on the elephant-bone study, which was published last week in Science Advances, concurred. The artifacts in both studies, recovered from coal-mine sites, were probably produced by early Neanderthals or a preceding species, Homo heidelbergensis. Homo sapiens emerged in Africa more than 300,000 years ago, and the oldest evidence of them in Europe is a 210,000-year-old fossil unearthed in Greece. By the time Homo sapiens established themselves in Britain 40,000 years ago, other hominins had already lived there for nearly a million years.

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